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Ridiculously prolific, he has released approximately 45 albums under his own name, and who knows how many splinter groups and appearances he’s made on other artists’ projects.

But far from resting on his laurels, and hefty record sales, he hasn’t shied away from taking chances – the most obvious being 1994’s Zero Tolerance For Silence, the melodic master’s about-face into an all-guitar orgy of improvised dissonance recorded in one day. The 2012 CD and film were Metheny’s modernized version of the coin-operated, human-less music machines of yesteryear.

In the guitar department, he’s collaborated with Goodrick, “Sco” (as he calls John Scofield), Bill Frisell, and Jim Hall.But two albums later, The Pat Metheny Group landed the guitarist on the covers of Downbeat and Musician.And his group – Metheny, keyboardist Lyle Mays, bassist Mark Egan, and drummer Danny Gotlieb – were as close to rock stars as any jazz combo of the past four decades.“If you look at the very long list of people I’ve had associations with, it’s also a list of my favorite musicians,” he smiles.“Not only have I gotten to play with them a lot, we’re all very close.

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